AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Classical music in spectre film1/31/2024 Regardless of your feelings about this approach, Mendes’ intent is clear and this sequence is a perfect example of that. “Spectre,” as opposed to the preceding films featuring Daniel Craig as Bond, really tries to feature campy humor, a wink at earlier films in the franchise. The music counterpoints the tension-filled sequence and corresponding soundtrack, emphasizing the comedic elements of the contrast. The music playing on the radio? The brindisi from “La Traviata” as performed by Joan Sutherland and Luciano Pavarotti. Suddenly they turn into an alleyway and Bond meets his match – a civilian just driving calmly home. Bond is driving away from the villainous Hinx who is in hot pursuit. The other major instance of opera in the film comes in a completely different fashion. It also prepares the audience for what we know comes next – a romantic scene between this lady and our hero. What the music ultimately does instead is express the romantic allure of Lucia, played by the legendary Monica Bellucci. The mourning vocal lines set a tone of darkness and yearning. The camera tracks with her and on the soundtrack we hear the voice of Andreas Scholl singing “Cum Dederit” by Vivaldi. It’s night and she is walking through her mansion. The first of these comes in the first half when Bond saves Lucia, the wife of a crime lord he recently murdered. There are two distinct instances in which the operatic voice takes centerstage on the musical soundtrack. The same happens in Sam Mendes’ “Spectre” which also utilizes opera, though in a radically different way than “Quantum of Solace.” The film, as noted in said article was not one of the greatest quality, particularly when compared with the two Bond films immediately before and after it. Not too long ago, we took a look at how “Quantum of Solace” beautifully employed “Tosca” in a key action sequence. This week’s installment features Sam Mendes ’“ Spectre. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. “Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema.
0 Comments
Read More
Leave a Reply. |